'These moving images all function within a modestly pixelated realm which uses low resolution LED screens. Contrary to the high resolution, oversaturated world in which we usually operate in, the finer details of the highly sophisticated simulations have been stripped away. Gever consciously chose this elementary medium as removes all visual distractions and forces the viewer to focus on the movement itself - the shapes, shadows, and silhouettes - encouraging the viewer to go beyond what they ‘see’, and encounter what they ‘feel’. As such, the dancers are characterized by their form and abstractions. This transforms these metaphysical bodies into disembodied, assexual creatures free from features or expression, much like the dancers in Henri Matisse’s famous Dance painting in which he reduced their bodies to mere geometric curves. In doing so, Gever has reduced dance to its purest form, emphasizing the fluidity of movement; the fluidity of gender; the fluidity of elements; the fluidity of existence; and ultimately the growing fluidity between man, nature and technology.'
Music: @dangerousmoonlight
Dance: @sharoneyaldance
Installation @arstudio_arnon_nir_arch